The Night I Met Dean Koontz and Lessons Learned

The title of this post might sound like something that a kid might talk about during show and tell at school, and I have to admit that I sure did feel like a kid when I met Mr. Koontz. Of course, to understand this, we’re going to have to take a little trip back in time. Actually, we’re going to take two trips back in time. Here we go. This is going to be a long one (believe it or not, this is actually the shorter version).

The Late Seventies and the Early Eighties

My mother taught me to read long before I ever set foot in a school. She read The Hobbit and The Lord of the Rings to me when I was barely able to walk. She instilled a love of stories that has lasted my entire life and for which I will always be grateful. She read everything that she could and I followed suit. I would find paperbacks that she’d finished and I always gravitated toward the odd, the mysterious, the macabre and the fun. I read Agatha Christie and Doyle, H.G. Wells and Jack London as well as countless others.

I discovered Stephen King and Dean Koontz shortly thereafter, and I’ve never been the same since. I mean that in the best way possible. I devoured everything I could find, and my mother even talked with the local librarians so they would allow me to check out books from the “grown up” section of the library. I would stay up late into the night reading. When other kids were wondering what strange new things they could do with their hair and to their jeans, I was wondering what was happening in Snowfield and in Derry.

(Ok, I also did some weird things with my hair, but that’s not the point. The point is that I was hooked on imaginary places, addicted to stories.)

Fast Forward to the Late Nineties

I’d moved all the way from New York to California with a brief stop in Chicago. I was married and had a child. I was just out of the military and I really had no direction in life. Finding work was hard and I escaped to fiction. I would also call my mother and talk with her, although I never really let on about how poor I was.

I still read all the time, and I’d even started writing my own stories in the hopes of publishing them. I’d always written, but I didn’t know what to do with the stories. Now that I had the time, I figured I would give it a shot.

I ended up selling quite a few to the small press “zines” of the day as well as to an anthology or three. If you’ve been around a while, you might remember those old zines, labors of love for the editors, often photocopied and stapled together. Some had cardstock covers but most didn’t even have that. They weren’t attractive magazines by any standard, but they had some good stories in them. I was proud to be in them.

Now, when I say I sold to the magazines, it wasn’t as though I was making much money. The term “sell” rarely meant anything more than a contributor’s copy and maybe $5 or $10 in those days. I wasn’t getting rich, that’s for damned sure. The most I’d made on a sale at that time was around $100 for a 900-word story, sold to a computer magazine of all places. They had a slot in each issue for a fiction piece, and I got lucky… or the editor was drinking and then decided to buy the story. I say that because the story was embarrassingly bad. I didn’t know that at the time of course. And that extra money sure helped that month. Kids grow out of clothes damned quick.

Now, you might be wondering where Dean Koontz plays into all of this. Well, I’m getting there.

When Koontz was doing a tour for Seize the Night, shortly after Fear Nothing came out in paperback and one of his stops was at a Barnes & Noble just north of San Diego. My neighbor, who was also a big reader, told me about the signing. She, my wife and I decided that we would go up, pick up copies of Seize the Night and get them signed.

We got to the bookstore and I couldn’t believe the line that I saw. It stretched outside the store, and after we got in the line, it doubled. Dean Koontz was a rock star.

As I got closer to the table where he was signing, I started getting nervous. That’s not something that normally happens to me, but there I was, nerves getting worse as I got closer to the table. I mean, this is the guy who wrote Phantoms and Darkfall. He frigging wrote Watchers. The guy knows suspense and can make you sweat with just words on a page. I was only feet away from getting my book signed by the man whose writing caused me stay up into the wee hours of morning, sleep be damned.

I make it to the front and I’m surprised that the case of nerves had vanished. Koontz looks up and smiles. He asks my name. I tell him, and I’m shocked that I don’t stutter. Something about him seemed calming and soothing, silly as that sounds.

He asks how I am, and I tell him that I’m fine and that I’m excited to meet him because I’m a writer too. (Now, I know he must’ve heard that a million times, but I didn’t know any better at the time). He smiles again and asks me what I write. I tell him that I write horror and fantasy, and that I would like to write mystery and crime. I tell him that he’s been a huge influence on me. I tell him that I’ve been in some magazines.

He smiles again, and it looks genuine. And then he starts talking to me about writing. I’m trying to listen, but my brain keeps shouting at me “Holy crap, Dean Koontz is talking to me about writing.” I listen as he talks about telling stories and about how he started, and then the woman at the table helping him (who I believe was his wife), nudges him gently and reminds him that he has an entire line of people still waiting for autographs. As I start to excuse myself, he tells me something else. He says, “Keep writing. You can succeed if you don’t give up.” I’m paraphrasing because I don’t remember the exact words, but that was the gist of it. And I knew I’d heard someone tell me those words before, but I couldn’t quite place where I’d heard them.

Now, you might think that those words stuck with me and that I kept writing and selling more. Of course, life got in the way. By life, I mean a divorce after the birth of my second child, a job that drained the creativity from me and an overall loss of direction. Some people can write through all of that, and more power to them. I couldn’t. I barely even read during that time.

But I had stories to tell, and I couldn’t stay away from writing forever. Writing, I discovered, was a basic human need for me. I wasn’t happy unless I was telling tales and creating worlds that don’t really exist. I slowly got back into the groove of life and I heeded those words. “Keep writing. You can succeed if you don’t give up.”

So, I kept at it. I made more sales over the past few years. I’ve had my first book published through Black Bed Sheet Books, and I’ve even started publishing some of my own work to see what the indie world is like. I’m not rich, but with freelancing and fiction, I do write for a living now. So far, it’s good.

The Present

Not everything in life is going to be good.

My mom died in February of this year, and I didn’t know how to handle the news. She’d moved to Southern California years ago, but I wasn’t with her when she passed away. It happened faster than I thought it could. I was going to visit her in the hospital and I found out the next morning that she’d passed away the night before. I wasn’t with her enough in those last few years, and that’s something that I have to carry with me.

In my mind, I didn’t want to accept that she would or could die. As much as I write about death, I don’t know how to properly grieve and go through those issues like a normal human. I know the stages of grief, I know how they work, and I think I can write it convincingly. My brain just wasn’t having it.

I wasn’t a bad son, I don’t think. But my brother was far better at dealing with this issue than I was. When he was growing up, we called him “Tenderheart” for a reason. He was there for her more often than I was, and so was John, her boyfriend who happened to be the best thing that had ever happened to her. I am very thankful that they were there when I was too weak/stupid/afraid to be. She knows I loved her though. I always told her that.

I was reflecting on this the other night, and when I couldn’t bear to think about it any longer, I suddenly had an itch to read some Koontz. It seems like a strange leap, right?

My hardcover and paperback books had gone missing in a move years ago, so I opened my Kindle and downloaded Phantoms, one of my favorites. I was digging into the story for what would be my umpteenth read through, and I heard those words in my head again. “Keep writing….” And then I suddenly remembered where I’d heard them other than from Mr. Koontz.

My mother had said them to me when she found out I was writing all those years ago. She had been proud of me, even when I was only making those $5 sales and contributor copies. She’d always believed in me even when I didn’t believe in myself.

How could I have forgotten that? I sometimes think that we don’t always appreciate the ones who are closest to us when they are here. In fact, I know that’s true. There’s always tomorrow, you think. Here’s the rub. Tomorrow is not promised. Live for today, tell the ones you love just how much you care for them.

Oh, and if you are a writer, keep writing.

The Dorchester/Leisure Boycott

There’s trouble afoot. Many authors from Dorchester/Leisure aren’t being paid what they are owed. The publisher is even continuing to sell digital books that they no longer have the rights to sell – and you can bet the authors probably aren’t going to get compensation for those digital sales. It is looking quite shady down Dorchester way… and not the nice kind of shady like when you sit beneath the shade of an old willow tree, toss rocks into the Big Muddy with your pal Huck, and smoke a pipe while you watch the steamboats pass.

No one explains this problem better than Brian Keene, who has been hit by the mishandling of finances and general asshattery at Dorchester over the past year, so here’s a link to his recent post on the matter. Click HERE to read more from the mighty Keene.

Now, I’ve had no personal dealings with Dorchester other than having read and enjoyed some books they’d published. However, I have a lot of admiration and respect for writers such as Keene, Gonzalez, Malfi and the whole lot. Seeing them treated poorly angers me, just as it would any writer. It should anger readers too. After all, without writers what would you read? You can only read shampoo bottles so many times.

Hell, when  I think about it, this should piss off anyone who has ever had a job. Imagine putting in countless hours of work only to find out there is no paycheck at the end of the week. Thus, I wholeheartedly agree with this boycott.

Kindle Reading List

I love my Kindle (despite my ongoing fling with printed research texts), and I love that I can find books by indie authors and traditionally published authors who are putting up their backlists and writing new, independent works. It means that there is going to be a lot more variety out there and I believe that’s a great thing.

Of course, there are going to be some indie books that are just plain rotten. That’s how it goes. By reading samples of books, I can pretty much determine what I am going to like and what I won’t. Separating the good from the bad (at least according to your own personal taste) isn’t hard. It really isn’t any different from going to the bookstore and opening a book whose cover and description grab you and reading the first few pages. So far, I’ve been very pleased with the books I’ve bought from independent publishers.

Here’s my current Kindle reading list, along with links. This should take me a few weeks to get through and then I will be adding more and delving deeper trying to find great indie authors.

The List and Origin by J.A. Konrath. The first books I read by Konrath were in the Jack Daniels series of mysteries. They are good fun, and I expect these will be the same. Writers, and readers who are interested, should check out his Newbie’s Guide to Publishing blog. It’s full of information and fun to read.

The Fixer: A Lawson Vampire Novel by Jon F. Merz. I’ve read other stories from Merz, and from the brief interactions that I’ve had with him online, he seems like a genuinely nice guy who is passionate about telling stories. Also, he’s a frigging ninja!

Run by Blake Crouch. This book as one of the best descriptions I’ve ever read. Reviews look good too. I’m excited to start this one!

Jimmy Stone’s Ghost Town by Scott Neumyer. I know this book is for younger folks than I am, but the description and the reviews really made me want to read it.

The links I’ve included all go to the Kindle store. However, I’m sure that most of these books are also available for other e-reading devices.

Practical Homicide Investigation is a Writer’s Dream

I’ve never had to investigate a homicide – mostly because I’m not in law enforcement and because I spend most of my time hidden away and writing in a dark room. However, I do have an interest in the area. I’m an avid fan of shows like The First 48 and I enjoy the mystery genre and police procedurals. I’m even trying to leak over into those genres with my own writing. Plus, there is the personal curiosity of wanting to know why and how people do horrible things to others and how the police go about finding murderers.

Because of that interest and because I want to branch into crime fiction, I spend a lot of time researching murder, forensics and blood spatter, serial killers and all that warm and fuzzy stuff. If a stranger looked at my web search history, they probably wouldn’t want to get to know me… I actually do know me so I could hardly blame them.

I mentioned in a previous post about a book I recently bought called Practical Homicide Investigation: Tactics, Procedures, and Forensic Techniques by Vernon J. Geberth. This monstrous 1000 + page book is brimming with information that you aren’t going to get from watching crime dramas on television (although I admit I love the hell out of crime dramas) or even the crime documentary shows.

Here is a quick rundown of some of the topics covered: First officer’s duties, preliminary investigation, special investigative duties, crime scene photos, estimating the time of death, identifying the deceased, notifying family, modes of death, forensic application of DNA analysis, evidence collection, autopsies, identifying suspects, profiling, serial murder and more.

If you are a writer of crime and mystery fiction, this book is likely to become your research bible too, and you will always want to have it in arm’s reach. Horror and even some urban fantasy writers are sure to find plenty of great info as well.

I should warn you that some of the pictures in the book aren’t suitable for those who have weak stomachs. It includes actual crime scene and autopsy photos, many of which are very disturbing.

Practical Homicide Investigation is definitely one of the best purchases I’ve made and it has saved me countless hours of research time online. It also happens to be quite expensive. Still, if you think of it as a textbook (which it really is) and consider the value of the research information the book provides, it is worth every penny. I love this book!

I Cheated on My Kindle

I love my Kindle and I use it often. However, I’ve been cheating on it with some print books lately, namely books that I use for research. For example, the latest paper book I bought was Practical Homicide Investigation: Tactics, Procedures, and Forensics Techniques. It is over 1000 pages long and it has tons of great information that is readily usable by someone who writes the types of things that I do.

Because I’m using the book for research – even though I’m reading it cover to cover right now – I know that there is going to be a lot of flipping back and forth, adding sticky notes as reminders and whatnot. I know that bookmarks are possible with e-readers, but paging through a book that I’m using for research just seems much more natural to me. I imagine that this will change in the future as these e-readers evolve. How do you feel about e-readers for research books? Are there functions or features that I’ve missed?

By the way, if you write anything dealing with death, police procedure, forensics, murderers and the like, you should really check out Practical Homicide Investigation. It isn’t cheap, but it will become an indispensible research partner, I’m sure. Sometime in the next few days, I will write a post that looks at some of the topics the book covers.

iPad, iPhone, and iPod Touch Apps for Writers

I love technology even though half the time I don’t know how to use it properly. Mostly I just push buttons so I can make pretty colors and neat sounds. Fortunately, I can use simple devices such as light switches and microwave ovens . . . although, some of the settings on the fancy microwaves still give me fits.

The latest technological wonder I’ve added to my robo-menagerie is the iPod Touch. It’s simple to use, and best of all it has those aforementioned lights and sounds I love so much. I’ve already wasted time on games and YouTube, so I thought I would check out some of the apps for writers. I found quite a few. I’m focusing on just the two that I thought I would use the most. These apps will also work for iPhone and iPad users.

My Writing Nook – The simple writing app has a word count feature, autosave, and a dictionary and thesaurus. You can write in portrait or landscape mode, and you can email documents to yourself. You might also want to use their free web app of the same name, which can sync with your iPod Touch. You can have your work in two places, and it will automatically update when you synchronize them with the touch of a button. The app costs $2.99

Screenplay – Black Mana Studios (an official technology partner of Final Draft) offers this screenwriting app. It works with Final Draft, naturally, but it can also import and export from Celtx, which is a free screenwriting program that many people are using. The app drag and drop scenes to rearrange them, write in landscape or portrait mode, and it features auto-complete for the character names so you don’t have to keep typing them throughout the script. The app costs $4.99. 

Since I’d never tried typing on the small screen of an iPod Touch before, I wasn’t sure how the apps were going to handle my clumsy fingers. I was surprised at how well it worked – very few typos . . . no more than I usually make.

I’ve only used these apps for a few weeks, so I may update this post with further thoughts if I find things that I love or hate about them. So far, I like them. While I probably won’t write an entire novel or screenplay on my iPod, it’s nice to know that I could if I wanted to!

What does this mean for me? It probably means I will find more ways to spend time writing when I should be doing important things like watching Warehouse 13 or old Lost episodes, or contemplating what to do when the zombies attack.

What about you? What cool apps have you found that you love?

Writer’s Block? I Suffer from Writer’s Flood

I’ve never had to deal with a bout of writer’s block. For that, I’m very grateful. However, I do have what I call writer’s flood, a deluge of ideas that hit me almost constantly. To anyone who has writer’s block, this probably sounds great. I’m sure it’s better than staring at a blank page. Still, it has some drawbacks, and I’ll tell you why.

Just like in a real honest-to-goodness flood with rising waters (and large ladies in ice cream stained moo moos clinging to the tin roofs of their homes), it’s easy to get swept away. The rush of ideas can be overwhelming. You start working on one idea only to have another more attractive idea come along. The real problem comes from separating the good ideas from the bad and realizing that just because you have a cool idea it doesn’t mean you have a story. The bad ideas, the ones that never really go anywhere, outnumber the ones that have potential and they can threaten to drown you if you aren’t vigilant. Carefully choose those ideas you pursue.

Ideas in most cases are just fragments. You need to make sure that any idea you choose has a potential greater than the initial “cool idea”. It has to be able to support a real story; you need characters, a good setting, plot, etc. Don’t waste too much time on idea fragments that aren’t going anywhere. Instead, file them away and come back to them later. If it’s still a real stinker of an idea when you revisit it, scrap it. I’ve found that I’m far less frustrated when I don’t futz around with those deadwood ideas.

When the good ideas (those I think are good) start to pile up, I have to prioritize. What do I want to do first? I write fulltime, so I need to write something that has commercial potential and that is still fun, interesting, and something that I really want to write. I’d like to say I’m getting better at figuring this out, but I’m not. Organization is not something that comes naturally to me. At any given time, I’ll have several projects going.

Right now is a prime example. I’m working on an outline for a screenplay, a comic book (I plan to post the first pages of the script for Aberrant Nation here soon), several novels (including one that ties into “Meat City” and “Ballad of the Pale Riders”), and a strange hybrid project that . . . well, you’ll see. Plus, I’m getting into some interesting collaborations. And doing some artwork. And freelancing.

As much of logistical headache as it can be, it’s fun and I think all of my current projects have potential. Of course, I imagine every writer feels that way about his or her ideas. If they didn’t, why even bother?

Writers flood is like having your muse regurgitate on you. Except that every once is a while she upchucks a gold nugget. I’m cool with that.

A Week of (Almost) Freedom

Last Friday, I found out that I had this week free from my regular freelancing assignments. That is a blessing and a curse. A curse because I won’t have the “steady” money that freelancing brings me and it is a blessing because it gives me more time to work on projects that have been gathering a bit of dust lately. So, what am I going to be working on this week? Seeing as how my brain often dashes from one project to another, I can’t make any promises, even to myself. However, my latest self-imposed schedule looks something like this:

Finish the proposal for Aberrant Nation, a comic book series. I still need to rework the summary for the first several issues, edit the character bios, and rewrite the first issue. With some focus, I should be able to finish by Thursday.

Rework a script called Deadwater and turn it into a novel – I just think it would work much better as a novel. Although, when I was looking at the script outline last night I saw it needed a lot of work. Still, I think I should be able to get 10 – 15 thousand words finished by the end of the weekend. As long as I have enough caffeine running through me.

“Nine Tenths” is the second story set in Underbelly, a subterranean metropolis populated with fallen gods, sorcerers, fairies, and everything else that people think are just myths. You will be able to read the first story (“Blood, Magic, and a Concubine”) in Marginal Boundaries, which comes out on March 31. I hope to get a working outline for “Nine Tenths” finished in the next few days.

That should be enough to keep me out of trouble for the week. At the end of the week, I’ll let everyone know how I fared.




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